I. Very Good

 

Chiaroscuro

       And God created man in His image (Gen 1:27)

 

and God created light

and He saw that light was very good

it illuminated the whole world

its luminosity so intense, so brilliant

and God hid away the light from man

 

and Rembrandt found the light

that God had hidden away

and God commanded Rembrandt saying

use the hidden light

to illuminate mankind

 

and Rembrandt painted with the hidden light

and he painted darkness and he painted light

and Rembrandt saw that the darkness was good

and he saw that the light was very good

and Rembrandt created The Night Watch

 

and Rembrandt saw that the earthly host

half in darkness was good

and Rembrandt saw that the light of Captain Cocq was very good

so too, the light of his lieutenant

and the little girl with the dead hen, was very good

 

and Rav Kook saw Rembrandt’s paintings

that he had painted with the hidden light

and he perceived that Rembrandt was a tzadik

for Rembrandt had painted with the light

God had hidden away for messianic times

                                                                               — Julian Alper

 

[Note: Rav Kook - Rabbi Abraham Isaac HaKohen Kook (first Chief Rabbi of Israel) saw Rembrandt’s paintings in London, where he lived from 1916-1919.]

 

*

 

[untitled]

 

jackal

crossing the night

road under our headlights

shadow moving from shadow to

shadow

— Esther Cameron

*

The Water Cycle

 

S P L A S H !!     

As the word erupts into the air —

A massive rock vomited explosively

From the dark cauldron of the world’s seething guts,

Cooling exponentially as it plummets,

Smashing into the sea and sinking

Without trace,

Unheeded

For millennia,

 

But raising great daughter-plumes of water,

Fracturing into a myriad of

Glittering crystals, smoothing as they fall

To glowing satin-lustre pearls,

Salting the mountaintops,

Cascading into tinkling runnels and streams,

Launching over cap-rocks

As sparkling waterfalls into deep plunge-pools,

 

And mists of glistening droplets drenching tree-canopies,

Down hundreds of metres of

Convolute vines with dripping leaves,

Onto crowning cycads

And into thunderous chasms with sodden fern banks

And steaming sunless glades,

Saturating the lush soil,

Seeping and filtering through the shales and mudstones,

Distilled,

Clear,

Pure.

             — Miriam Alper

 

*

 

Western Sky

 

Look at the western sky

Fading from reds to grays,

Souls like the sunset die

Worn out by their days.

 

Fading from reds to grays

Losing their vital zest

Worn out by their days

They sink into the west.

 

Losing their vital zest

Souls, like the sunset, die,

They sink into the west –

Look at the western sky.

                                           — Judy Koren

 *

FLOWER Moon

 

Change comes along with everything now

so much so I want to emulate June’s flower moon,

a month for blooming as if there is no end to opening up.

Change works easier this way. With a willingness to move

with it whether I am exactly ready for it or not.

whether I have a clear plan or a teacher’s lessons.

I am walking further than I usually do and praying

for rain even though the desert is covered with flowers,

the yucca’s white petals exactly like angel’s wings.

And in such a time as this with our leaders throwing

the familiar overboard willy nilly, what we know that works

gone as if we can live this way, without any touchstones.

I depend on the feel of the bark on the palm of my hand,

Aloe, what grows fatter and greener and taller than I expected,

parsley green and lacey and ready to use for dinner.

So I stick to what I know inside me, how I imagine I will

bloom like lavender in the dark of night, take each job

and breath slow and easy, try to love again because change

always comes with it. I’ll give back, give over, try again.

No end to the flowers blossoming now in a season like this,

familiar and new at once, so many petals blooming and

I try to do the same, a woman growing older, going for more

as I have always done, stepping slowly, leaping with abandon.

                                                                                                                  — Charlene Langfur

 

 *

 

October Past

“He has made everything beautiful in its time.” Eccles 3:11

 

Standing at this same window

I remember these October

leaves from last year

sated with smoldering orange

 

and again

the fire orchards bloom,

shawls of dove-white frost

are cast over gold and crimson.

 

No fuel in the old sun,

yearning out of tune -

still this sienna healing

seasonally resumes

 

at the gates of the

year’s cold tomb.

                                — Hannah Amit

 

 *

 

Beneath Nomadic Stars

 

I love the slight breeze

that slips beneath

the window

and wraps itself

around me

like a mantle.

At night

when the secure

house slumbers,

it’s then spirit

finds fissures in casings

presses in with visions

of tree shadows dancing

like tall thin maidens on snow.

It’s when I’m swaddled

in coverlets and safety

and think journeys

are surely ended

that beneath nomadic stars

from late November's glade -

 

I hear whispered invitations.

                                                      —Hannah Amit

*

 

Something Lingers

 

It was an old woods on a damp winter day

the trees grayish green moss and vine

bark scarred and dented

like armor battered in battles as one tree leaned on another

hurting and old

history lingers when the time gets cold

 

It was an old stone wall

tumbling on one side like cannonballs

tiredly separating who knows from what

a war was fought here

but that was long ago

history lingers where little grows

 

The squirrels had nests high in the trees

the chipmunks hid in the holes in the wall and under roots

the path was well-worn

a cold wind came to blow

it started to snow

history lingers in dreams of lost homes

 

My young dog began to play

the trees sprung silver wands

the old wall an ancient castle and a rock a dragon to slay

the path a way beyond

it changes, it always changes

but something lingers on.

                                                — Susan Oleferuk

 

*

 

Brinton Brook

 

The day started sunny

the trail packed with ice and snow shone

then the sky darkened, darkened as if turning to night

a wind ambushed fierce and sharp

the snow came swirling wrapping white birches into ghosts, but I felt no fear

all was apiece, in place, at peace from a larger somewhere

 

I thought of all the places I had been

long broken streets I still fled in dreams

places I didn’t belong

and so many places closed, blocked, locked

not free, not for many, not for me

 

The squirrel that ran before the snow belonged

the wind, the birches, the cold, the dark belonged

all of us made part of a complete

a composition of ground, sky, trees and snow

the borders life and death.

                                                 —Susan Oleferuk

 

*

 

The Wren’s Song

 

In the darkest days of winter

right before the dying light

a woman plays with her dog

and a wren sings

 

The woman and the dog hear the wren

singing the notes of the curves of time

harmonic motion rising and falling with the wintery ways

every evening before the coming of the night

 

When the dog is long gone

and the woman no more

the wren’s song will still be heard

a syncopation of the season’s shadowy light.

                                                                                 — Susan Oleferuk

 

*

 

Stanzas: Composed While Watching A Cardinal In A Snowstorm

 

Forlorn sits a cardinal upon a bough

And naked are the branches on the tree,

Although the driving sleet, ice and snow

Has capped a winter stamp upon the lea

Still sits the cardinal upon a bough

Statue-like sits he still within the tree.

 

Within this barren season sits nobly

A figure abandoned waiting for spring,

A sudden side movement is but only

A trivial shedding of snow from wing,

Then resetting assumes a dignity

Of a lonesome, mute, longing for spring.

 

Fashioning himself with a thoughtful mien,

For whom shall he sing? Who shall seek to know

Him? Loneliness touches this winter scene

Assessing an inward hunger to grow

Scaling to point, passion and pain convene,

Waiting and yearning for someone to know.

 

But the quiet stillness is unbroken

And the cold, winter fury still unwrought

Of a white season that sheds no token

Of a bosom resting with joyful thought,

Perched upon a branch with song unspoken

Of a longing whose days are yet unwrought.

                                                                                 — Clarence P. Van Dyke

 

*

 

[untitled]

 

Green nature

Opens in me

Unknown pores

In my mumbling, confused soul

Hum of insects, dazzling sunlight

Clumps of olive trees

Running streams

Everything grows, shines

Cows lowing

Everything fruitful and multiplying

Everything perfect and beautiful

In many colors and shades of color

Quantities and directions

Vegetable and animal

Sharp and soft

Flying and crawling

Rustling and gushing

Silent and noisy

And between the stones and the soil

Edges of pale reddish potsherds

And a fragment of some vessel, sharp and dark

Silently testify

That here once walked a man or boy

Plowing a furrow

Waiting for some girl

To find earth in his eyes

                                              —Araleh Admanit

 

*

 

Resurrection

 

My babies had towels

with round polar-bear ears,

a crib bird-decorated,

 

their night-lights were owls

to assuage midnight fears;

on their mobiles rotated

 

bright flowers and bees

to teach them the world

harbored treasures like these.

 

Will those born today know

of bees, owls or bears,

turtles scrabbling to sea

 

arctic foxes in snow,

so many creatures that now are so rare,

or have ceased to be?

 

So blinded we were, never counting the cost

of ‘progress’, that magical, devilish word:

can those yet unborn resurrect what we’ve lost?

                                                                                      — Judy Koren

 

*

 

The Great Extinctions

 

Hail Planet Earth! You spin between bare neighbours,

Give birth to life that puts their deserts to shame—

From whales to humans, roses to giant cacti,

But to be their forever-home you cannot claim.

 

Five times you’ve let most of your creatures perish,

Though you’ve left enough alive to evolve again.

Perhaps to human protests you’d reply,

“Moral reasoning is your domain.”

 

Yet, Planet Earth, with all your imperfections,

Your horrors even, still you touch our hearts.

Though you destroy, you also bear and feed,

And in you are rooted our sciences and arts.

                                                                                —Henry Summerfield

 

*

 

Dodo 

They laughed at the curve of its beak,
at the belly soft as unmailed clouds,
at the idiot dignity
with which it greeted sailors.

No cathedral warned the bird.

No prophet descended
through Mauritian rain
crying:

[Beware the species that names everything]

The dodo had evolved
without a grammar for fear.

No wolves.
No gunpowder.
No Portuguese syllables
dragging iron through mangroves.

Just fruitfall,
salt wind,
the long blue mathematics of tides.

Then came men—

their ships swollen
with rats and hunger.

History entered the island
wearing boots.

The bird vanished stupidly,
which is to say:

trustingly.

And now children draw it
with cartoon eyes,
as if extinction were adorable,
as if the dead owe us charm.

Somewhere beneath museum glass
its bones still rehearse
the oldest equation of empire:

[Discovery = Permission to Destroy]

                                                                  —Tushar Sen

 

*

 

Franklin Tree

 

The last wild one
disappeared quietly.

Trees prefer that.

No headlines followed
its extinction beside the Altamaha.

Only wind
cataloguing absence
through Georgia marshes.

Yet the species refused
to die completely.

A few cuttings survived
in botanical gardens,
trimmed and watered
by careful human guilt.

Imagine the humiliation:

to exist only because
your executioners became sentimental.

The Franklin tree blooms now
like a memory on life support.

White petals.
Golden center.
A floral ghost rehearsing itself
for nobody ancestral.

It has no wilderness left
to return to.

Only fences, labels,
curated soil.

Only the sterile mercy
of preservation.

And every spring it flowers
with the exhausted grace
of something asking:

Is survival still survival

when the forest itself
has forgotten your name?

                                              —Tushar Sen

 

*

 

The Winds Surrounding the Fire

 

This gentle land I know

changed I know not why, not slow

unlike the seasons in their holiday dress

 

Trees are broken, bent and charred

smoke speaks earth to harmed and psyche scarred

smirking looks of money passed, burnt books

amnesia of depth and complexity

only left is the enemy

you against me

not war blaring rage

maws open

lies mechanically spoken

 

Ignorance was ever lauded

never the route to progress or goodness

the ten brought down from a mountain

let’s add to the count

who and what is left out

 

History praises the conquerors of lands

history derides the conquerors of their lands

someone always wants what is not theirs

someone always wants to control :Black, Brown, Women, Weak and Poor

their soul is twisted by desire

but they can never control the winds surrounding the fire.

                                                                                                                  — Susan Oleferuk

 

*

 

 

RFRC

 

Online I had

ordered the way cool kit

with a self-assembly algorithm.

The drone conveying

a cryptically wrapped egg carton,

full but almost buoyant in air,

alighted on my stoop.

 

Bubble pack vaporized on touchdown,

one oval titanium shell silently slid open,

and out popped a downy proto-droid,

within hours blossoming into a full size

Radio Free Range Chicken,

Model 83W529FX3N6-7.

 

Sweet Chicky and I headed out

to my wireless coop,

where she convincingly

pecked, preened, and also

Fourier-transformed signals

from my hand held

official 4-H fob.

 

But then I noticed a

suspicious metallic ticking,

barely audible beneath all the lifelike

clucking and squawking.

Who would embed such a thing?

Was my new purchase

the latest link in Russia’s

autonomous kill chain,

tempting geeks like me

with faux reminders of

Mama’s matzo ball soup?

                                                   —Donald Mender

 

*

 

The Fairytale’s Over

 

The credits rolled

on a predictable “happily ever after” note.

Bambi, triumphant, stood with his dad,

seven dwarfs chased the Evil Queen

off the mountain’s ledge

and a generation of kids

were tucked into a million little racecar beds.

 

A generation adrift in dreams,

snoozed through their fairytales

flattened by the collapsed walls

of a caved-in 20th century,

AWOKE to mounting debts.

AWOKE on sidewalks.

AWOKE to the reality

that this movie was never Disney,

but just a handful of happy little scenes

in a bizarre film by Fellini.

                                                 —Michael Roque

 

*

 

Warm Breeze

 

Warm breeze, where have you been so long

were you in mighty trees watching an eaglet born

and in joy sliding over sky, plains and sea

 

Warm breeze you are needed

 for many a head is low in despair

somewhere geese are flying on your paths

and the cottonwood flies like fairy spells

bare dirt is not enough to hold a dreaming soul

so one must look up

 

Warm breeze, so many messages you carry

I know which one is for me

its smell, its feel, its memory

 

Warm breeze, fare thee well

mercurial, flirtatious, capricious perhaps

powerful still

we will hold

earth and sea we will hold

till our hours run out and we can no longer feel, we will hold.

                                                                                                                                — Susan Oleferuk-

 

*

 

A Prayer of Planet Earth

 

At first they were weak, far-flung,

at first they were very few

and scattered thinly among

my rivers, grasslands, trees:

I could shake them off like fleas

from a dog’s back. But they grew

in power, cunning, might:

more numerous than the stars at night.

 

Then they eclipsed the stars

with their artificial light,

made weapons, started wars:

proud, foolish, vain, headstrong,

whatever they did was wrong

and in their eagerness to fight

each other, they couldn’t see

that what they were destroying was me.

 

I prayed for a clean sweep,

for the broom of evolution

to fling them onto the rubbish heap

of the universe — a solution

arrived at, unhappily, too late:

even the Lord can make a mistake,

(at least so it appears)

once in a couple of million years.

 

Dying, I dream of recreation,

the miracle of rebirth:

the joy and exultation

of a newborn Planet Earth:

surely You can do that, Lord?

all that’s needed is Your word—

but please, take my advice:

don’t create humans twice!

                                                 — Judy Koren

 

 * 

 

River Reflections

 

Under deep-linen water

in-the-midst of a copse,

that which is heavy

such as a hickory limb

felled by wind and

fallen into soft chalk arms,

sinks and remains

a part of things

 

that which is weightless

though not scorned,

first kiss or a fairy charm

is danced down the estuary

around corners

and into campfire reflections

on a distant shore.

 

Such things insubstantial

will come around again

wet and useless in late autumn

perhaps in winter,

seeking pity and comfort

in the arms of a mother.

 

And she will run

from the edge

of a grace-filled river

to embrace them.

She will hide them

in the heart of a

drowned shellbark

never to be forgotten

or again taken lightly.

                                          —Hannah Amit

 

 

 *

 

BS”D, 1 Nissan 5786, between sunset and starshine

 

Ten

Crowns of radiance wait to be revealed

Wait for a sign

For the time

 

A ray of East ignites the heavens

Light clothes itself in a vessel

 

An arrow cleaves the firmament to smite wickedness

A steadfast home front murmurs prayers anticipates deliverance

 

The humbled

Their outcry bursts

From sealed cellars of falsehood

                                                           — Tziporah Faiga Lifshitz