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DINNER DURING BLOOD SCRUB
from Kick “It” Cancer Ongoing Poetry Series Genesis: March 2014 by Sue Tourkin Komet
IT'S NOT LIGHTNING 12 March 2014 PM hours post-surprise diagnosis
It's not lightning, It's not thunder, It's not a tsunami.
Not fire, Nor ice, Nor fireworks.
It's only my cancer dancing Alive, Kicking up a storm
Dancing wildly Inside My
Beautiful Body.
*
I HAVE "IT" March 13 2014 PM
I have "it" And "It" has me.
"It" sneaked in my back door, Ever so quietly.
But I'll fight "it" To my death And I'll live "it" In my life.
I'll kick "it" as It kicks me I'll punch "it" as It punches me.
I'll hate "it" as It hates me.
And I'll love "it" as It Loves (or: “it”leaves) Me.
THIS BURNING BUSH IS 30 April 2014 5:00 am to 6:00 am
This Burning Bush is This dawn-light in me This day-light in me The dusk-light in me This moon-light in me.
This Burning Bush is This cancer in me The chemo-t in me The pain, the strain, This drain on me.
This Burning Bush is The nausea The numbness The "nothingness" In me.
This Burning Bush is This fire in me, The will-power in me,
This spit-fire in me, The desire in me, This life in me.
This Burning Bush is The quiet agony The sublime secrecy The overt ambivalencies And others' widespread decencies.
The Burning Bush is Moshe Rabbeinu's And Am Yisrael's Eternities.
The Burning Bush is My mortality And My Immortality.
The Burning Bush is All of you And all of me For all's Eternal eternity.
This Burning Bush Is this poem in me This poem out of me F or a brief moment in eternity. And The Bush Will Not Be consumed.
*
ONE-BY-ONE, MY BEST 7 May 2014 early morning
One-by-one, my best Girl-friends, Lady-friends, Insist
My hair-cut's Cute. And I Resist.
I insist
No, No, No It's not so Cute.
It's the Cancer-cut It's the Chemo - hair-cut.
They all mean well They all mean good But for me if I could I would not have had it cut.
I can't get them all To shut up They all think It's so cute, my cut.
For me, it's basically, The darling sweetsy cutesy lovable beautiful and cute cancer-cut.
*
THE SIDE-EFFECTS or THE LAST SUPPER? 7 May 2014 late morning
My singular Jerusalemite daughter Successfully and obsessively Planned months in advance For her thirty-fifth Birthday ... dinner party.
The Master of The Universe Successfully and obsessively Planned priorly And simultaneously
For the onset And the drama Of my cancer Debut.
We had The successful And stressful Dinner party
At a glorious setting. All Sabra First-Cousins Of my daughter's generation Traveled up to Jerusalem
From Beersheva and Tel Aviv Modi'in and Ma'aleh Adumim Chashmona'im And points beyond ... in-between.
While I at The Table Long and horizontal Pseudo-secretly battled The many side-effects of my "chemo,"
Noting retrospectively That each of my three nephews All born in The Land of Israel Bear strong resemblance
To "what's-his-name" ... Not to name him ...
Of the infamous fable Seated at that historic table
Surrounded by his disciples
At the Last Supper.
Let’s have an “Encore!” ...Not of the cancer... But of The Dinner, “Next Year in Jerusalem!” — Not the Last Supper. Not The Last Supper. —Sue Tourkin-Komet
* *
CROSSROADS OF THE SOUL
This is Neshama business: an envelope of water, a mother’s womb lined with grandmothers’ tears.
One grandmother brimmed with terror as iron doors slammed in the gas chambers, her last Shema prayer hurled forward in time.
The other weeps more reticently after the war, secreting her husband’s art, candelabra sketches shadow a grandchild he never knew.
Into this capacious capsule of tears a rock is cast, like Truth in midrash flung into muddy depths, so a man brimming with lies may break into this world in need of redemption.
From salted water and coarse loam, a shard of soul gains shape: The Master Cutter calibrates each blow carefully, each high pitched rotation of the bruiting reveals a facet, one more angle luminosity to break the carapace, body’s grasping.
The first blow is miniscule, a hammer falls as they bury my grandmother and I laugh and laugh until a kind woman leans into my shame-filled face: “It’s all right, you loved her well. There will be time later to learn The darker songs of mourning.”
A couple of decades later, Nehemiah the sculptor opens the door of a Colorado barn: half-crafted trunks of mahogany and teak helped me to mourn art sketches mildewing in the attic back home.
Another two decades until I face the Rebbe— I stand soul-naked before the bluest eyes.
The corridor of destiny grows less obscure, hammers keep striking, each diamond facet glistens but does not blind. How to bend into each blow’s blessing?
In darkness one night, I glimpse a crossroad of Neshamot— all our gems floating upstream to the Golden Menorah facing the Temple Mount.
Only diamonds can cut diamonds, only earth-worn souls may ignite the seven flames, as light spills upward from down-turned flower cups, each held by arms toughened by this longest exile.
Whoever said that fire and water quench each other had not tasted the hope that tears seed. —Vera Schwarcz
*
CLOSURE
Mourning still— Why, I ask, the passage of years, the contentment of the now, the joys and blessings of a good life, should have brought closure.
Insensible and defiant as a child’s tantrum, the pain still festers. In the sound of a woman’s voice, which I don’t recognize as my own, a memory how she dared not weep, for if she did, there’d be no way to stop.
Inhabiting the gentle terrain of womanhood stands a wild passionate core, hard-hitting, harsh, protesting, death-questioning, resisting to be consoled.
Imagining the fragile bones of a child in my arms, I nurture the wound that does not heal, noting how the blue angel of consolation denies opening her gates,
my refusal to heal considered ungodly. —Gretti Izak
* THE FAST OF THE SEVENTEENTH OF TAMUZ
Today the walls are broken walls of Jerusalem shattered pieces of gray white rock soaring toward the Negev desert toward the green hills of Galilee
Today the Tablets are broken Commandments in pieces Thou shalt not on the tower of Babylon Murder beneath the cedars of Lebanon
Today G-d’s heart is broken Tears from the upper heavens falling into the abyss at the bottom of the sea
Who will repair the breaches in the walls sift through white sand dig through black earth travel up and down this so worn land gather Holy debris
Who will find pieces of the Law Wander the whole earth searching for slivers of light gather them ever so gently prepare for their return to the Holy Ark
Who will comfort the heart of G-d cherish the tears hidden deep in the ocean rising to the seventh heaven
When will the healing finally come to this city broken in this world and the Other —Gila Landman
*
ALONG WITH THE GATHERED
I will gather still more to those already gathered. Isaiah 56:8
A dream I stand at the edge of a mountain let go and drop, breaking into smaller and smaller pieces even before I reach the ground But there is no ground only the falling and the crumbling
The Tablets too were let go from the side of the mountain shattered into tiny fragments but a gatherer appeared picked up each precious fragment placed it in a velvet-lined urn sealed the urn and brought it to the Holy Ark
I need such a gatherer to wait with open arms reach out for my fragments in love place each one gently in a vessel a holy place so the falling may be over and I can come home — Gila Landman
*
PROOF COIN
I began, not a problem, but a solution percolating from the molten mantle into fracture, crack and fault.
I cooled and precipitated into veins perfusing the Mother Lode. Eroded from the high country and sluiced
from alluvial dross, I was purified by the refiner’s fire and forged in a mirror-polished die. Obverse
and reverse and milled edge attest to my minted worth. Destined by my satin finish to remain unspent
and uncirculated, I’m encircled by a bezel and suspended over your heart. Once legal tender, I’m meant to heal. —David Olsen
*
GRACE ON THE METRO Paris
It’s not as noisy as the New York subway or London tube, but in her agitated state, the gliding train still seems cacophonous.
She’d managed a seat near the doors, but latecomers jostle for space and block the exit, foreclosing any thought of flight.
She smells a harried working crowd, feels the crush of purposeful urgency. Every sense seems under assault.
Her view is hindered by other passengers, but she sees a man who steadies himself with hand on rail against stops and starts.
He’s looking at her, but not as a predator. Seeming to understand her distress, his gaze conveys protective watchfulness.
Liquid brown eyes gentle and reassure her. When she reaches her stop, she’s almost calm. In full control she minds the gap. —David Olsen
*
AS WHITE AS SNOW
Little miracles happen sometimes, flash before me. Snow falls, rain pours, and it's cold. Heaven's gone insane, all of the cache, little miracles happen sometimes. Flash winds call as combatants hold back, crash, good soldiers, stand, so stark and so bold. Little miracles happen sometimes, flash before me. Snow falls, rain pours, and it's cold
outside. Where almost nobody goes, it's safe. Hot soup, warm tea, a pillow to rest, serene dreams of days, of a tranquil, quiet life outside. Where almost nobody goes, it's safe to watch the small white flakes as they weave a pattern. When the storm ends, it stays clean outside. Where almost nobody goes, it's safe. Hot soup, warm tea, a pillow to rest, serene,
I can walk about, hold out my hand, reacquaint myself with someone I know from across the fence. Explore, expand, I can walk about, hold out my hand, his arms, the words he speaks, how grand the clouds, our breathe creates condense they show . reacquaint myself with someone I know
see the sheen of the white, reflect the day. Why must we defile this perfection, look at the berries that peek at us, they say, "See the sheen of the white, reflect the day... that's red enough for me, and sweet. Let's play as if what divides us was a closed book. See the sheen of the white reflect the day— Why must we defile this perfection, look. —Zev Davis
*
… even a simple match can make me warm. … even a single hand can quiet a storm. Be sure: a tender song can change a world, And light, you know, was made by a word. –Miriam Kitrossky |