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IV. Meant to Heal

DINNER DURING BLOOD SCRUB


 
“Can you feel it?”
Nothing at all
 
but for a catheter
in the jugular
aimed at the tip
of vina cava
(puts me in mind
of casa blanca)
in the right
atrium—
 
no floral respite
this. Instead,
 
all blood redirected,
guided in “pheresis,”
Greek for taking away,
a machine to wash
and separate.
 
Not darks from light,
but white cells
burdened with blasts,
a ballast operation,
bailing out viscous
muck slowly, unstick
refuse from lungs,
heart, brain…
 
while
the vegetable chili
stays warm on ICU tray.
 
To eat (and live) through
the unthinkable—
 
we do it
every day.
                     —Vera Schwarcz
 
 *
 

from Kick “It” Cancer Ongoing Poetry Series

Genesis: March 2014 

by Sue Tourkin Komet

 

IT'S NOT LIGHTNING    12 March 2014 PM hours post-surprise diagnosis

 

It's not lightning,

It's not thunder,

It's not a tsunami.

 

Not fire,

Nor ice,

Nor fireworks.

 

It's only my cancer dancing

Alive,

Kicking up a storm

 

Dancing wildly

Inside

My

 

Beautiful

Body.

 

*

 

I HAVE "IT"     March 13 2014 PM

 

I have "it"

And

"It" has me.

 

"It" sneaked in my back door,

Ever     so     quietly.

 

But I'll fight "it"

To my death

And I'll live "it"

In my life.

 

I'll kick "it" as

It kicks me

I'll punch "it" as

It punches me.

 

I'll hate "it" as

It hates me.

 

And I'll love "it"  as

It

Loves               (or: “it”leaves)

Me.

 


 

THIS BURNING BUSH IS           30 April 2014 5:00 am to 6:00 am

 

This Burning Bush is

This dawn-light in me

This day-light in me

The dusk-light in me

This moon-light in me.

 

This Burning Bush is

This cancer in me

The chemo-t in me

The pain, the strain,

This drain on me.

 

This Burning Bush is

The nausea

The numbness

The "nothingness"

In me.

 

This Burning Bush is

This fire in me,

The will-power in me,

 

This spit-fire in me,

The desire in me,

This life in me.

 

This Burning Bush is

The quiet agony

The sublime secrecy

The overt ambivalencies

And others' widespread decencies.

 

The Burning Bush is

Moshe Rabbeinu's

And

Am Yisrael's

Eternities.

 

The Burning Bush is

My mortality

And

My

Immortality.

 

The Burning Bush is

All of you

And all of me

For all's

Eternal eternity.

 

This Burning Bush

Is this poem in me

This poem out of me

F or a brief moment in eternity.

And The Bush

Will

Not

Be consumed.

 

*

 

ONE-BY-ONE, MY BEST      7 May 2014 early morning

 

One-by-one, my best

Girl-friends,

Lady-friends,

Insist

 

My hair-cut's

Cute.

And I

Resist.

 

I insist

 

No, No, No

It's not so

Cute.

 

It's the

Cancer-cut

It's the

Chemo - hair-cut.

 

They all mean well

They all mean good

But for me if I could

I would not have had it cut.

 

I can't get them all

To shut up

They all think

It's so cute, my cut.

 

For me, it's basically,

The darling sweetsy cutesy lovable beautiful and cute cancer-cut.

 

*

 

THE SIDE-EFFECTS or THE LAST SUPPER? 7 May 2014 late morning

 

My singular Jerusalemite daughter

Successfully and obsessively

Planned months in advance

For her thirty-fifth

Birthday ... dinner party.

 

The Master of The Universe

Successfully and obsessively

Planned priorly

And simultaneously

 

For the onset

And the drama

Of my cancer

Debut.

 

We had

The successful

And stressful

Dinner party

 

At a glorious setting.

All Sabra First-Cousins

Of my daughter's generation

Traveled up to Jerusalem

 

From Beersheva and Tel Aviv

Modi'in and Ma'aleh Adumim

Chashmona'im

And points beyond ... in-between.

 

While I at The Table

Long and horizontal

Pseudo-secretly battled

The many side-effects of my "chemo,"

 

Noting retrospectively

That each of my three nephews

All born in The Land of Israel

Bear strong resemblance

 

To "what's-his-name"

... Not to name him ...

 

Of the infamous fable

Seated at that historic table

 

Surrounded by his disciples

 

At the

Last Supper.

 

Let’s have an “Encore!”

...Not of the cancer...

But of The Dinner,

“Next Year in Jerusalem!” —

Not the

Last Supper.

Not The Last Supper.

                                       —Sue Tourkin-Komet

 

*

 
DREAD OFFERING
 
We sat watching the entry,
that led to the sanctum,
the chamber of mystery,
where knives are wielded.
 
You lay on the altar,
fearsome sacrifice, beloved.
priests cut with sharp knives,
their acolytes assisting.
 
Outside we awaited
saving word, or dread.
 
The high priest in green,
brought word of solace,
her heart beats well now
We’ve tipped the balance.
 
Not death but life
is now in the omens.
                                          —Michael E. Stone
                                              February 14, 2005
 

*


FIRST HEALER
 
The scrapes and bruises that beset a child
Are soothed away with smiles and honey tea;
The little hurts are smoothly reconciled,
And then another playground sets us free,
And soon the passage of our youth forgets
Its broken bicycles and injured pets.
 
Not that the loss of friendship or a slight
May cut as deep as any pain we know,
And leave our hearts abandoned through a night
Of disenchantment in worlds below
Through earthly joy and happiness and peace
Seem more a vision as our lives increase.
 
 Dreams and ambitions on which rest our lives
Are less consoling with elapsing years,
And little to renew them still survives
Among our days to mollify their tears
Though sufferings are more than we have known,
We find in anguish we are not alone.
 
 Some grievous tracts of body now rebel,
We lose our courage, our philosophy
Which opens wide the very gates of Hell
To voids as blank as hopelessness can be;
And yet I learn true healing is divine,
When I can say, O Lord, that I am thine.
                                                                           --Jack Lovejoy
 

CROSSROADS OF THE SOUL

 

This is Neshama business:

an envelope of water, a mother’s womb

lined with grandmothers’ tears.

 

One grandmother brimmed with terror

as iron doors slammed in the gas chambers,

her last Shema prayer hurled forward in time.

 

The other weeps more reticently after the war,

secreting her husband’s art, candelabra

sketches shadow a grandchild

he never knew.

 

Into this capacious capsule of tears

a rock is cast, like Truth in midrash

flung into muddy depths, so a man

brimming with lies may break

into this world in need of

redemption.

 

From salted water and coarse loam,

a shard of soul gains shape:

The Master Cutter calibrates

each blow carefully,

each high pitched rotation

of the bruiting reveals a facet,

one more angle luminosity

to break the carapace,

body’s grasping.

 

The first blow is miniscule,

a hammer falls as they bury

my grandmother and I laugh

and laugh until a kind woman

leans into my shame-filled face:

“It’s all right, you loved her well.

There will be time later to learn

The darker songs of mourning.”

 

A couple of decades later,

Nehemiah the sculptor opens the door

of  a Colorado barn: half-crafted trunks

of mahogany  and teak helped me to mourn

art sketches mildewing

in the attic back home.

 

Another two decades

until I face the Rebbe—

I stand soul-naked

before the bluest eyes.

 

The corridor of destiny grows

less obscure, hammers

keep striking,  each diamond facet

glistens but does not blind.

How to bend into each blow’s blessing?

 

In darkness one night, I glimpse

a crossroad of Neshamot—

all our gems floating  upstream

to the Golden Menorah

facing the Temple Mount.

 

Only diamonds can cut

diamonds, only earth-worn

souls may ignite the seven flames,

as light spills upward

from down-turned flower cups,

each held by arms toughened

by this longest exile.

 

Whoever said that fire and water

quench each other had not tasted

the hope that tears seed.

                                 —Vera Schwarcz

               

 * 

 

CLOSURE

 

Mourning still—

Why, I ask, the passage of years,

the contentment of the now,

the joys and blessings of a good life,

should have brought closure.

 

Insensible and defiant as a child’s

tantrum, the pain still festers.

In the sound of a woman’s voice,

which I don’t recognize as my own,

a memory how she dared not weep,

for if she did, there’d be no way to stop.

 

Inhabiting the gentle terrain of womanhood

stands a wild passionate core, hard-hitting, harsh,

protesting, death-questioning, resisting to be consoled.

 

Imagining the fragile bones of a child in my arms,

I nurture the wound that does not heal, noting how

the blue angel of consolation denies opening her gates,

 

my refusal to heal considered ungodly.  

                                                                         —Gretti Izak

 

 *
 

THE FAST OF THE SEVENTEENTH OF TAMUZ

 

The breaking of the Tablets took place on the seventeenth of Tamuz, the date when the walls of Jerusalem were breached by the Romans.  All these breaks have to be healed.

                                                                                                  Sfat Emet 4:157f

                                                               

Today the walls are broken

walls of Jerusalem

shattered pieces of gray white rock

soaring toward the Negev desert

toward the green hills of Galilee

 

Today the Tablets are broken

Commandments in pieces

Thou shalt not on the tower of Babylon

Murder beneath the cedars of Lebanon

 

Today G-d’s heart is broken

Tears from the upper heavens

falling into the abyss at the bottom of the sea

 

Who will repair the breaches in the walls

sift through white sand

dig through black earth

travel up and down this so worn land

gather Holy debris

 

Who will find pieces of the Law

Wander the whole earth

searching for slivers of light

gather them ever so gently

prepare for their return

to the Holy Ark

 

Who will comfort the heart of G-d

cherish the tears

hidden deep in the ocean

rising to the seventh heaven

 

When will the healing

finally come

to this city

broken

in this world

and the Other

                          —Gila Landman

 

 * 

 

ALONG WITH THE GATHERED

 

                I will gather still more to those already gathered.

                                                                Isaiah 56:8

 

A dream

I stand at

the edge of a mountain

let go and

drop,  breaking

into smaller and smaller

pieces even before

I reach the ground

But there is no ground

only the falling

and the crumbling

 

The Tablets too

were let go

from the side

of the mountain

shattered into

tiny fragments

but a gatherer

appeared

picked up each

precious fragment

placed it in a velvet-lined urn

sealed the urn

and brought it

to the Holy Ark

 

I need

such a gatherer

to wait

with open arms

reach out for my

fragments

in love

place each one

gently

in a vessel

a holy place

so the falling

may be over

and I can come

home

                 — Gila Landman

 

 
ORDINARY THINGS
 
I like to do ordinary things
like baking a lemon cake
cooking corn on the cob
hosing down the dusty patio on a hot summer day
 
I like to do ordinary things
like folding laundry
sweeping the floor with a horse-tail broom
watching an orange sun rise over the Kinneret
 
I like to do ordinary things
like having a hot cup of Bambu in the morning
eating a bowl of cornflakes in my garden
while watching the fishing boats peacefully glide over the lake
 
I like to do ordinary things
like polishing my nails
smoothing lotion on my skin
 
I like to do ordinary things
 
especially after the death of a child
                                                               —Esther Fein
 

*

 

PROOF COIN

 

I began, not a problem, but a solution

percolating from the molten mantle

into fracture, crack and fault.

 

I cooled and precipitated into veins

perfusing the Mother Lode. Eroded

from the high country and sluiced

 

from alluvial dross, I was purified

by the refiner’s fire and forged

in a mirror-polished die. Obverse

 

and reverse and milled edge attest

to my minted worth. Destined

by my satin finish to remain unspent

 

and uncirculated, I’m encircled by

a bezel and suspended over your heart.

Once legal tender, I’m meant to heal.

                                                                   —David Olsen

 

*

  

GRACE ON THE METRO

Paris

 

It’s not as noisy as the New York subway

or London tube, but in her agitated state,

the gliding train still seems cacophonous.

 

She’d managed a seat near the doors,

but latecomers jostle for space and block

the exit, foreclosing any thought of flight.

 

She smells a harried working crowd,

feels the crush of purposeful urgency.

Every sense seems under assault.

 

Her view is hindered by other passengers,

but she sees a man who steadies himself

with hand on rail against stops and starts.

 

He’s looking at her, but not as a predator.

Seeming to understand her distress, his gaze

conveys protective watchfulness.

 

Liquid brown eyes gentle and reassure her.

When she reaches her stop, she’s almost calm.

In full control she minds the gap.

                                                              —David Olsen

 

 *

 
THERE IS NO HEALING
 
People talk about healing after Charlie Hebdo.
That’s an insult to the dead.
There will be no healing.
 
Murder is an open wound that repeats itself
In a corner of space
Like a permanent invisibility in a missed
Opportunity.
 
How can you heal the dead or the living
Who are attached to them?
 
That’s a mere trick to satisfy the survivors and
Put gauze on a wound
With the bullet still in it.
                                              —David Lawrence
 
*
 

AS WHITE AS SNOW 

after an account  there were no casualties reported in the Syrian Civil War in the wake of the recent snow storm—2015

Little miracles happen sometimes, flash

before me.  Snow falls, rain pours, and it's cold.

Heaven's gone insane, all of the cache,

little miracles happen sometimes. Flash

winds call as combatants hold back, crash,

good soldiers, stand, so stark and  so bold.

Little miracles happen sometimes, flash

before me.  Snow falls, rain pours, and it's cold

 

outside.  Where almost nobody goes, it's safe.

Hot soup, warm tea, a pillow to rest, serene

dreams of days, of a tranquil, quiet life

outside.  Where almost nobody goes, it's safe

to watch the small white flakes  as they weave

a pattern.  When the storm ends, it stays clean

outside.  Where almost nobody goes, it's safe.

Hot soup, warm tea, a pillow to rest, serene,

 

I can walk about, hold out my hand,

reacquaint myself with someone I know

from across the fence.  Explore, expand,

I can walk about, hold out my hand,

his arms, the words he speaks, how grand

the clouds, our breathe creates condense they show .

reacquaint myself with someone I know

 

see the sheen of the white, reflect the day.

Why must we defile this perfection, look

at the berries that peek at us, they say,

"See the sheen of the white, reflect the day...

that's red enough for me, and sweet.  Let's play

as if what divides us was a closed book.

See the sheen of the white reflect the day—

Why must we defile this perfection, look.

                                                                          —Zev Davis

 

 * 

 

… even a simple match can make me warm.

… even a single hand can quiet a storm.

Be sure: a tender song can change a world,

And light, you know, was made by a word.

                                                                                  –Miriam Kitrossky

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